Urban installations are an essential part of my work, it is what closes the cycle and gives meaning to my production. I believe in the transforming power of art.

I seek my own transformation, but also the transformation and change of people, society, culture, and humankind. A world in harmony is possible. For that to happen, we must make art visible, put it out on the streets, in the neighborhoods and squares, in public zones of cities and towns, make it visible where life takes place daily.

That is why I create big murals with the reproductions of my original works.

These murals are pasted on facades, fences, and walls with the collaboration of associations and collectives of local women, and are placed in very visible spaces.

Each watercolor paper that makes up the original piece is reproduced photographically before being sewed to the canvas, which allows me to have a high-resolution exact-copy of all the parts that the original piece is made of.

These digital reproductions are resized so that each one of them is 60x84 cm big and are printed on Blue Back paper.

Once the location has been chosen (wall, fence, crystal, etc.) we paste with a group of women from local associations, following my indications, each one of the large-format sheets which make up the collage.

This is how we collectively create a 'Colonized' just like the original one but with much bigger dimensions (2x2 meters).

These 'colonized' murals, on the one hand, generate a great on-site impact on the women that have participated actively in the creation of the installation (synergies, companionship, working on teams with a shared goal, etc.). On the other hand, it provokes a great visual impact on passersby, at the same time generating reflection and debate

regarding its content. What does it mean, what does this piece tell us? These actions take place in festivals, artistic encounters and similar acts.

If you are interested in them or you need more information you can contact me.