In Diver, she pays homage to trailblazing women who broke barriers, such as the athletes of the 1932 Olympic Games. This series celebrates the strength of women who dare to leap without a safety net and inspire others to move forward.

With Perfect Imperfect, she champions imperfection as a path to personal and
collective growth. The series confronts the rigid ideals imposed on women in the 1950s and embraces the freedom that comes with accepting our imperfect humanity.
The series Immaculate and Lilith's Daughters reflect on dignity, rebellion, and
female empowerment. Drawing inspiration from figures such as Lilith, the first
woman to defy submission according to Hebrew tradition, these works highlight the transformative role of women throughout history.
In Colonized, she delves into the stories of dispossessed and marginalized women. By repurposing vintage photographs, Fàbregas restores dignity to these figures through collage and digital intervention, creating a powerful visual statement against sexism and oppression.
Her work transcends the confines of galleries through projects like Art al Carrer, where she brings large-scale works to public spaces. These murals, created in collaboration with local collectives, spark social debate and reflection, impacting both the participating community and passersby.
Fàbregas has exhibited her work in major institutions and galleries, including the Museu Frederic Marès, the Palau Robert, Pigment Gallery in Barcelona, Saraceno Gallery in Rome, and Soda Gallery in Istanbul, as well as at prestigious international art fairs like Art Basel Miami, Art Paris, and LA Art Show. Her work is part of collections such as those of the Lluís Bassat Foundation, Artemizia Foundation, and SETBA Foundation, standing out for its ability to capture everyday beauty and transform emotions into powerful images.
Characterized by a direct and deeply human visual language, her work explores themes such as identity, gender, and feminism. A standout example is her project Traspassant l’Objectiu (Through the Lens), which since 2020 has worked with incarcerated women in prisons such as Brians 1, Wad-Ras, and Ponent, using photography as a vehicle for empowerment. This initiative was published under the title Brians: Invisible Women and earned recognition, including an honorary mention at the “Impulsa Cultura” awards by the Catalunya Cultura Foundation.
Academically and socially, Fàbregas holds a Postgraduate Degree in Visual and Therapeutic Pedagogy from the University of Barcelona. She leads art mediation workshops aimed at giving a voice to vulnerable groups, from incarcerated women to individuals at risk of social exclusion. As president of the Network of Businesswomen and Entrepreneurs of Sant Cugat, she spearheads initiatives that promote female entrepreneurship.
Her accolades include recent participation in the Manifesta 15 Biennial in Sant
Cugat, where she presented D(ó)na Oportunitat, as well as awards at events like the Biennial of Young Creators of Europe and the Mediterranean in Turin (1997), her first recognition in her artistic career.
Throughout her journey, Marta Fàbregas has demonstrated that art not only beautifies but also transforms, empowers, and builds bridges toward a more just and conscious world.

As well as that, she has worked in several Other Projects.